Chrysalis

Chrysalis, developed over the past two years, serves as a temporary dwelling between states of being, reflecting on transformation, duration, and the possibility that death may not be an end but a passage. What appears still may remain in the process of becoming.

Across my practice, emptiness is not lack but potential. Like a womb, a void is the condition for what is not yet. No repetition is ever identical; each carries the memory of the ones before and produces something new. I approach sculpture as a condition of continual formation, asking how support becomes visible through dependency, how absence continues to act upon what remains, and how fragile structures hold form and weight through interconnection.