Korean-born, Los Angeles-based artist, Kyong Boon Oh is a multidisciplinary artist whose work spans sculpture, painting, photo/video collages, and sculptural installations, blending spiritual practice with art practice. She underwent a transformative journey, shifting from creating tall figurative paintings to weaving metal wires, a meditative craft inspired by her father’s legacy and her own struggles with physical illness. Her art, influenced by her experiences as a first-generation immigrant, serves as a personal map that navigates the complex terrain of assimilation, nostalgia, and belonging, situated between chaos and order. Through her evolving practice, which now includes community engagement initiatives like the “Flow with Medium” workshop, she aspires to reveal personal histories as communal destinies that transcends time and space.  Currently she is represented by Lois Lambert Gallery in Santa Monica Bergamot Station Arts Center and a founding member of SSGOC (Stone Sculptors Guild of Orange County). Her studios are located in Orange County, CA.
‘Transcendent end is hidden in our own depths, waiting for the chance to occupy a conscious moment. I try to discover and reveal the moment through my art practice. 

Weaving influences from handicraft, personal and historical narratives accompanied by my own heritage as a first-generation immigrant artist, I re-contextualize them with the modernist artistic approaches and narrative deconstructions to contemplate overlooked narratives, while projecting possible identities for the marginalized and providing a commentary on redemptive identity.
Combining artisanal approach, a process-based abstraction inspired by Arts and Crafts movement, Expressionism, and the Korean Aesthetics of “Yullyeo(cosmic rhythm)” with traditional, geological, industrial and commercial materials along with the discarded, I push the boundaries of material to evoke emotion and to challenge the viewer’s perspective by reflecting the natural order and flow.
Using the interior-exterior juxtaposition of my sculptures and the tangled, infinite form in both subtractive and additive mediums as a metaphor of dislocation, nostalgia, and desire for belonging, my art, situated between chaos and order, emotion and meditation, serves as a personal map that navigates the complex and often uncharted terrain of the displacement. 
Viewing the repetitive crafting method as a physical pathway for the mind and as the continuity of time and considering the meditative excavation of personal and historical narratives as a place of reconciliation, I hope my art transcends time and space with aspirations for redemption, so beyond the melancholia, this unresolved longing for places or communities or ideals, alludes to transcendence of the self and the ‘Yullyeo.’

EDUCATION
BFA, SAIC (School of the Art Institute of Chicago)
BS, Mathematics, Korea University
SOLO EXHIBITIONS
‘Chorus of The Displaced’, Crafton Hills College Gallery, Yucaipa, CA 2024
‘Walk Slowly – Unknown Path’, Lois Lambert Gallery, Bergamot Station Arts Center, Santa Monica, CA 2023 
SELECTED GROUP EXHIBITIONS
‘Primarily in the Right Hemisphere’, Getty’s PST ART: Art & Science Collide, Lois Lambert Gallery, Bergamot Station Arts Center, Santa Monica, CA (current)
‘Plateaus: Art that Resonates’, Art Share L.A., CA (current)
’(Be)Longing: Asian Diasporic Crossings’ ReflectSpace Gallery, Glendale Central Library, Glendale, CA 2024
’The Paths We Cross: Perspectives from the Korean Diaspora‘, The University of Hawaii at Hilo, HI 2024
‘MOON & STARS: Los Angeles Asian Women in Art’, BG gallery, Bergamot Station Arts Center, Santa Monica, CA 2024
‘Ellsworth Artist Residency Alumni gallery’, Art Share L.A., CA 2024
‘Nomad II’, The Del Amo Crossing, Torrance, CA (Curated by Torrance Art Museum) 2023
‘Contemplating Boundaries’, Korean Cultural Center LA, CA 2023
‘Artists in Residence: The Ellsworth Artist Residency Program’, Art Share L.A., CA 2023
‘AAPI Celebration’, BG gallery, Bergamot Station Arts Center, Santa Monica, CA 2023
‘Grove Artist showcase’, The Grove Center for the Arts & Media, CA 2022
‘CoCreat Night’, Saddleback Visual Arts, Lake Forest, CA 2021
‘AAPI Heritage Art Show & Concert’, Saddleback Visual Arts, Lake Forest, CA 2021
‘Arts North International‘, Hopkins Center for the Arts, Hopkins, MN 2021
’The Winter Show 2020’, Palo Verde Art Center, Rancho Palos Verdes, CA 2020
‘Salon at the Triton’, Triton Museum of Art, Santa Clara, CA 2019
‘3rd ANJE’, Wausau Museum of Contemporary Art, Wausau, WI 2019
‘All Media 2019’, Irvine Fine Arts Center, Irvine, CA 2019
‘The Brain Project’, Yorkville Park, Toronto, Canada 2019
The Brain Project’, Nathan Phillips Square, Toronto, Canada 2019
‘34th Made in California’, Brea Gallery, Brea, CA 2019
‘The Annual Juried Art Exhibition’, Korean Cultural Center, LA
Art Window Exhibition, Saks Fifth Avenue, Chicago
Art Window Exhibition, Max Mara, Chicago
‘Kyong Boon Oh : Walking the Path’, The Offing Magazine, 2024
‘Asbarez Inspires and Informs Korean Artist’s Diasporic Exploration at ReflectSpace Gallery’, Asbarez, 2024
’(Be)Longing: Asian Diasporic Crossings’, Asia Journal, by Doug Hwang, 2024
‘Art exhibit explores Asian diaspora experience, with work from LA, Chinese, Korean artists’, Pasadena Star News, by Isabel Umekubo, 2024
’Episode 77 – Kyong Boon Oh’, Share Your Asian Story, Interview, 2024
‘FUTURO’, the Laboratory Art Collective, 2023
‘Walk Slowly – Unknown Path’, Lois Lambert Gallery 2023  –Link
‘Kyong Boon Oh : GIL’, Launch La Gallery 2022 –Link
‘Solo Exhibitions by Adventurous Sculptors: Gwynn Murrill, Lynda Benglis and Kyong Boon Oh’, Art Matters, Edward Goldman 2022 –Link
‘Kyong Boon Oh: On the Path’, Lois Lambert Gallery 2022
‘Airport Hangar As Big Top: An Art Spectacle Lands In Los Angeles County’, Santa Monica Observer, Jessie Nagel 2019
‘Irvine Fine Arts Center, Cura Studios and the Treasury Creative Studios Continue Bringing Art to the Masses’, OC Weekly, Dave Barton 2019
‘샌타모니카서 ‘사치 작가’ 만난다’, The Korea Daily, OH Soo Yun 2019
Yogen Fruz The Brain Project Baycrest 2019
34th Annual Made in California 2019
‘Korean Cultural Center Juried Exhibition’, The Korea Daily, IM Hyun A 2003
‘Multi-National Artists, New Techniques’, Koreana News 2003
‘Inhabiting The Body’, Moon Journal Press, Nina Corwin and Mary H, Ber 2002
Clune Construction Cooperation, Chicago, IL
Contemporary Art center, Peoria, IL
GRANT / AWARD / RESIDENCY / WORKSHOP
Quinn Emanuel Artist Residency, Los Angeles, CA 2024
3rd ‘Flow with Medium’ workshop, granted by Community Engagement, Inc, Lois Lambert Gallery (upcoming)
2nd ‘Flow with Medium’ workshop, Crafton Hills College 2024
‘Lakers in the Paint: Grant 2024’, Presented by Band of Vices & DWS, Administered by Los Angeles Lakers
‘Ellsworth Artist Residency’, Art Share La, Los Angeles, CA 2023
‘Community Engagement 2022 Creative Grant Award’ Community Engagement, Inc
1st ‘Flow with Medium’ workshop, granted by The Grove Center for the Arts & Media, 2022
‘Grove Artist Grant’, The Grove Center for the Arts & Media
Clune Construction Cooperation Purchase Award
’Merit Scholarship’, School of the Art Institute of Chicago